Tag: bela lugosi

Spook Shows

Spook Shows

Midnight Spook Shows featured stage illusions borrowing from techniques used in fraudulent seances alongside vaudeville-style comedy and burlesque. Performances were staged in movie theaters, paired with a film screening, usually but not exclusively from the horror genre.  The tradition began in the mid to late 1930s and ran into the early ’70s, reaching its heyday in the ’50s.  After World War II, shows began catering to younger audiences and emphasizing movie monsters, horror and gore.

In this episode we examine the history of the genre and a few of its colorful artists, sometimes called “ghostmasters.”  Two leading lights in the field were (Dr.) Bill Neff, and Dr. Silkini (actually a pair of brothers Jack and Wyman Baker).  Other practitioners we look at include Raymond Corbin (Ray-Mond), George Marquis, Phillip Morris (Dr. Evil), Kara-Kum, and the various shows presented by Joe Karston.  Bela Lugosi dabbled in the field and is discussed.

This episode picks up the thread from last October’s show about unruly American Halloween celebrations, those of the teens and twenties. While the 1930s offered relatively sedate Spook Shows, by their 1950s heyday, as box-office lines wrapped the block and theater balconies sagged under the weight of screaming teenagers, the Spook Shows shared something of that unruly, possibly even dangerous, spirit of old Halloween.

 

 

 

 

Episode 1: Walpurgisnacht, Pt 1

Episode 1: Walpurgisnacht, Pt 1

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Episode One of BONE & SICKLE is the first half of a two-parter about May Eve, Beltane, or as the Germans call it, Walpurgisnacht (“Walpurgis night“)  the night of St. Walburga, that and oh so much more!

Nearing the Borgo Pass. Tod Browning's Dracula.
Nearing the Borgo Pass. Tod Browning’s Dracula.
Advising against the journey. from Tod Browning's Dracula
Advising against the journey. from Tod Browning’s Dracula

It’s also about St. George’s Eve, and the conflation of the two in Bram Stoker’s Dracula (and another kind of confusion in Lugosi’s 1931 film of the same name.

Along the way, we meet eccentric English churchman and scholar of folklore and occult, Montague Summers, who provides some interesting nuts and bolts on protecting oneself from evil spirits afoot on Saints George’s of Walburga’s nights.  (Sprigs of various herbs placed around doors and windows are a start.) We also learn of what appears to be a strange and little remarked upon money-making hobby Bram Stoker devised for Count Dracula, one referencing actual Romanian superstitions of the 1800s, all of which Stoker had studied up on before embarking on his novel.  (Do any readers of the novel remember the mysterious “blue flame” incident (something like a will-o’-the-wisp)?

Eccentric scholar Montague Summers
Eccentric scholar Montague Summers

We also discover what was apparently an early, discarded chapter from the novel Dracula, one rich in references to these earlier landmark works of the gothic genre, these being, Joseph Le Fanu’s Carmilla and Gottfried August Bürger’s 1773 poem Lenore, from which Stoker borrowed the epigraph, “The Dead travel fast” — both of which we’ll explore a bit.  Am\nd there’s even a little nod to Walpurgis night.

Illustration from Carmilla
Illustration from Carmilla
Lenora
Lenora