Tag: macabre

Glass-Coffin Girls

Glass-Coffin Girls

The story of Snow White, as told by the Brothers Grimm, is only one of many narratives involving girls who have fallen into a deathlike state and are displayed in a glass coffins. In this episode, we examine the sordid details of the Grimm’s original 1812 version of the tale and compare it with analogous stories  dating back to the 12th century.

We begin with a review of the Grimms’ original story, many aspects of which have been subsequently muddled and obscured not only by Disney but by later alterations made by the Grimms. These include the identify of the Evil Queen, the malevolence of her intent, the purported benevolence of the Huntsman, and particularly, the nature of Snow White’s resurrection.

"Snow White Receives the Poisoned Comb" Hans Makart (1872)
“Snow White Receives the Poisoned Comb” Hans Makart (1872)

After  this, we have a look  at the immediate predecessor to the 1812 story, a children’s play of the same name by the (unrelated) German author Albert Ludwig Grimm. Though it  features dwarves who aid Snow White, a magic mirror addressed in rhyme, poisoned fruit, deception involving the heroine’s purported death, and glass coffin, it proves to be a very different story.

The next tale explored is the 1782 novella Richilde, by the German writer Johann Karl August Musäus.  Surprisingly, the title character here, Richilde, is the wicked stepmother rather than her step-daughter Bianca, whose name in Italian (i.e., “white”) might be compared to “Snow White.” Set in medieval Brabant (Belgium), this one has Bianca courted by a prince whom the jealous stepmother hopes to see married to her own daughter.  A further complication is presented by the fact that the prince here is already married.

Richilde Title Page
Richilde Title Page

We then take a look at the rarely mentioned Russian story,  “The Tale of the Old Mendicants,”  (my translation) published in the 1794 collection, An Old Song in a New Setting, or a Complete Collection of Ancient Folk Tales, Published for a lover of them, at the expense of the Moscow merchant Ivan Ivanov (my translation). In this one, the role of the Evil Queen is played by an innkeeper jealous that her guests have complimented the beauty of her daughter rather than her own. The alms-collecting monks of the title are used by the mother to deliver a poisoned shirt to the Snow White character, Olga the Beautiful.

Our next offering comes from the 1634 volume by Neapolitan writer Giambattista Basile,  Il Pentamerone, or The Tale of Tales, the very first collection of fairy tales, with which the Brother Grimm were definitely familiar (and one featured in our earlier “Dark Fairy Tales” episodes, both One and Two ). The  story in question is “The Little Slave,” which combines elements of Snow White, Sleeping Beauty, and Cinderella. Here, the Snow White character, Lisa, again falls into a death-like swoon and is kept within not one but seven glass coffins in a locked room. The story resolves itself with the aid of a doll, a whetstone, and a knife.

Il Pentamarone
Il Pentamarone

Our earliest story paralleling Snow White, is quite a bit older — from the 12th-century,  the Lai of Eliduc by Breton writer Marie de France. While serving a king in England, the Breton knight Eliduc  falls in love with his lord’s  daughter, Guillardun, who falls into a swoon during an ocean voyage.  Eliduc (who is not exactly innocent when it comes to Guillardun’s condition) transports the body of his love back to France and keeps it on the altar of a deserted woodland chapel.  In this case, the story resolves itself thanks to a very clever weasel.

After our more detailed  examination of these strangely paralleled stories, we take a quick look at the wide range of more recent variants that were committed to print after the Grimms published their work and at a rather ugly controversy that engulfed German town, Lohr am Main, after it claimed to be the birthplace of the Snow White Legend.

Our episode ends with Mrs. Karswell’s reading  a  particularly dark and brutal tale about seven dwarves collected by Swiss historian and folklorist Ernst Ludwig Rochholz in his 1856 volume, Swiss Legends of the Aargau.

Lohr am Main Snow White state.
Lohr am Main Snow White state.
A Christmas Ghost Story VI

A Christmas Ghost Story VI

Tonight we bring you our sixth annual Christmas ghost story, a tradition particularly beloved in Victorian and Edwardian Britain. First published in 1908, and set in the days before Christmas, the tale is by British writer Algernon Blackwood (from whom we earlier heard “Ancient Lights“) and whom many listeners will know through his other works, particularly, The Wendigo or The Willows.  Throw a log on the fire, refill the brandy, and settle back for Mrs. Karswell’s reading of “The Kit Bag.”

The Spook House

The Spook House

“The Spook House,” an 1899 short story by Ambrose Bierce is suitably spooky for the season, but not in the way you expect.It was a favorite of H. P. Lovecraft, who praised its “terrible hints of a shocking mystery.” Also, a macabre bit of poetic whimsy from A.E. Houseman, and an intruder is welcomed in Mr. Ridenour’s library.

A House Struck by Lightning and Other Curiosities

A House Struck by Lightning and Other Curiosities

Marvel and cringe at this collection of curious cases presented from a favorite Victorian volume. Tonight’s episode includes a bit of proto-Forteana, namely the anomolies left in the wake of a particular lightning strike that fell on a small town in Hertfordshire in 1777. We also have  brief look at the wicked deeds of those popes the Catholic Church would rather forget about, and we close with two gruesome gustatory cases, one macabre and the other simply bizarre.

A Viking Funeral

A Viking Funeral

Scenes of fiery Viking funerals have been woven into any number of literary and cinematic tales, but sources on the topic are limited.  In this episode, we hear from what’s probably the definitive source, a firsthand account written in the 10th-century by an Arab traveler and diplomat, Ahmad ibn Fadlan, who was visiting what would be modern Ukraine, an area then populated by Germanic tribes originating in Sweden.  Fadlan’s unflinching description of the bloody and brutal rites, it should be noted, may not be an easy listen for younger or more sensitive members of our audience.

Epitaphs

Epitaphs

Epitaphs can sum up the life of the individual buried beneath or can comment on the human condition generally. From the melancholy to the absurd to the catastrophically caustic, we survey in this episode a spectrum of final thoughts and grim punchlines culled from a favorite 19th-century volume.

 

The Dead Lover’s Heart

The Dead Lover’s Heart

Whether freshly removed or strangely preserved after death, the dead lover’s heart occasionally has continued to be embraced as a repository of intensely shared romantic experience. This Valentine’s Day episode explores two different narratives touching on that theme: a historical tale from the 19th-century literary culture of England and a collection of related medieval legends, literature, and song.

The first half of our episode looks at the strange circumstance surrounding the death, in 1822,  of Romantic poet Percy Bysshe Shelley, and the postmortem keepsake inherited by his wife Mary Shelley.

Louis Fournier’s “The Funeral of Shelley,” 1889.

The second half examines two gruesome narratives taken from the 14th century, both from Giovanni Boccaccio’s The Decameron, namely that of the ill-fated lovers Ghismonda & Guiscardo (First Story, Day Four) and of the tragic romantic exploits of Guilhem de Cabestaing (Ninth story, Day Four).  Incidentally, our Valentine’s Day show from last year also explores another gruesome tale from The Decameron.

De Cabestaing was an actual historical figure, a Catalan ministrel, whose fictional vida (biography) was often attached to collections of his ballads and served as Boccaccio’s inspiration.

We also look at the Ley of ’Ignaure, a chivalric romance written by the Burgundian French author, Renaud de Beaujeu, probably around the year 1200.  This was likely the source of Cabestaing’s vida, Boccaccio’s stories, and the English-Scottish ballad, “Lady Diamond,” from which we also hear a snippet.

"Sigismunda Mourning over the Heart of Guiscardo 1759 William Hogarth
“Sigismunda Mourning over the Heart of Guiscardo 1759 William Hogarth
Ghost Trains & Railway Terrors

Ghost Trains & Railway Terrors

Ghost trains and real-life railway terrors intermingle in this episode’s exploration of old train-wreck ballads, nervous and funereally obsessed Victorians, urban legends involving train deaths, and more.

Mrs. Karswell begins our show reading an imaginitive description of a phantom train written by George A. Sala for an 1855 edition of the magazine, Household Words, published by Charles Dickens (whose railroad connections we’ll be discussing).

Next we hear a bit of Vernon Dahhart’s 1927 ballad, “The Wreck of the Royal Palm,” describing an accident that had happened near Rockmart, Georgia the previous year. Other folk songs including gruesome railroad deaths are then explored. These include “In the Pines,” “The Wreck of the Old ‘97,” and “Wreck on the C&O,” including snippets from versions recorded by Lead Belly, Vernon Dalhart, and Ernest Stoneman respectively (with a reiteration of a line from “C&O,” by The Kossoy Sisters.) ** FOR MUSIC DETAILS SEE BELOW.

We next hear a bit about an obsession with dangerous trains expressing itself on London’s stages in theater productions of the mid-to-late 1800s.  One manifestation was the “sensation dramas” of the day, which presented trains and train wrecks on stage via highly developed stagecraft.  Another trend involving characters imperiled on railroad tracks was launched by the 1867 play, Under the Gaslight.  The 1923 play Ghost Train is also discussed.

Our attention turns back to Charles Dickens as we hear a vivid passage describing the death of the nemesis of his novel Dombey and Son, published as a serial between 1846 and 1848; it is literature’s first death by train.  Mention is also made of his classic ghost story, “The Signalman” from 1865.

Dickens’ ambivalent, and somewhat fearful, attitude toward the railroads seems to be rooted in the railways’ effect on the traditional patterns of life in Britain’s towns and villages, but also has roots in personal experience, namely as a passenger in the 1865 Staplehurst Disaster.  A train wreck that not only affected his literary themes, but his personal wellbeing for years to come.

We then switch gears to examine a few localized legends from American involving trains.  The first is the Maco Ghost Light encountered near the tiny North Carolina town of Maco Station and said to represent the lantern of an undead (and decapitated) railway worker. We also look at a legend from Texas, that of the San Antonia Ghost Tracks, in which aa alleged accident involving a school bus and train spawned reports of supernatural occurrences.

Another North Carolina legend examined involves an 1891 train accident on Bostian Bridge near the town of Statesville.  The ghost stories associated with the site recount appearances of the the doomed train on the anniversary of its accident.  The first of these is said to have happened on the 50th anniversary in 1941, but an even more terrifying encounter from 2010, on the 119th anniversary, is also discussed.

Beginning in 1872, seven years after Abraham Lincoln’s death in 1865, supernatural tales stories began to be told of the train that carried the dead president’s body through 12 cities in which he lay in state.  We hear just one of the stories published in The Albany Evening Times.

We then examine the musical phenomenon of songs that portray phantom trains as conveyances to the afterlife, in particular the gospel trope of Death as a Train that may arrive to unexpectedly whisk you off to the Great Beyond, thereby reminding listeners of the need to get right with God. An elaboration of this theme involves the Hell Train, driven by the Devil himself, one which takes those who refuse to make the afore-mentioned spiritual preparations. Included here are songs or song-sermons recorded by The Clinch Mountain Clan, The Carter Family, Rev. J. M. Gates, Rev. H.R. Tomlin, Rev. A.W. Nix, Chuck Berry, and Gin Gillette.

The episode ends with a look at the not terribly successful embalming of Abraham Lincoln prior to his his funeral tour, punctuated by a snippet from “In the Pines” AKA “The Longest Train” by Dead Men’s Hollow.

** NOTE: a streaming library of the numerous songs featured in this episode, along with some additional songs of similar themes, is available to those who join our Patreon as supporters before December 1.

 

Hex Murders and Madness in Old Pennsylvania

Hex Murders and Madness in Old Pennsylvania

Cases of madness and even murder were associated with Hexerei, a form of witchcraft brought to Pennsylvania by German immigrants.  Following up on our previous examination of the tradition of Braucherei or Pow-Wow as practiced in 18th and 19th century Pennsylvania, our current episode eplores some more disturbing cases of witchcraft beliefs surviving into the 1920s and ’30s.

Our show begins with a montage of voices extracted from the documentary Signs, Cures, and Witchery: German Appalachian Folklore. It was produced as a companion to an excellent book of the same name by Gerald Milnes.

By the 1890s, any public notice taken of Braucherei tended to be negative. Journalists were quick with comparisons to the Salem witchcraft mania and tended to focus on cases in which witchcraft belief led to madness.  We hear an example of this from an 1891 Pittsburgh Dispatch article describing two women driven to paranoia in the hills of Earl and Douglass townships. From the Public Weekly Opinion of Chambersburg, PA, we hear bits of an 1894 story describing the extreme (and destructive) measures taken by a George Kellar to rid his property of witches.

The first of the witchcraft-related homicides we examine comes from a March 1922 edition of the York Daily Record.  It’s the case Sallie Heagy, whose belief in witchcraft and a night-hag like entity known in Pennsylvania as “Trotterhead,” led to her shooting her husband while he slept.

We then move on to the most famous witchcraft murder in Pennsylvania, namely that of a part-time Braucher and potato farmer, Nelson Rehmeyer, who met his end in York County in 1928.  Mrs. Karswell opens this segment reading a description of the discovery of the decedent’s body taken from a Nov. 30 edition of the Hanover Evening Sun.

The murder was committed by a group of men organized by John Blymire, a third generation Braucher or Powwower, who believed himself to have been cursed by Rehmeyer.  We hear a bit of his troubled history (which included being committed to a psychiatric hospital from which he escaped) and of his accomplices, including John Curry, a younger man whom Blymire took on as a sort of magical apprentice and Wilbert Hess, whose troubles with his wife and farm, according to Blymire’s increasingly paranoic beliefs, were also tied to a curse by Rehmeyer.  We also hear of the involvement of the Braucherin Nellie Noll, sometimes called the “River Witch of Marietta,” from whom Blymire sought help in identifying Rehmeyer as the one responsible for the curse laid upon him. The commission of the crime itself is described in our show via the court testimony given by Wilbert Hess.

Rehmeyer's House in 1928
Rehmeyer’s House in 1928

The media circus generated by a witchcraft-related murder in 20th-century Pennsylvania resulted in  the press becoming obsessed with investigating any possible links to Braucherei in any Pennsylvania crime they reported on.  We hear several examples of highly speculative connections made including that of  the twenty-one-year-old woman Verna Delp, whose death by poison was erroneously connected to concoctions given her by a Braucher in 1928.   A similar connection is examined in the 1930 case of Mrs. Harry McDonald, who was found burned to death in her home, as well as the case of Norman Bechtel, whose body was discovered in 1932 in a mutilated state, bearing injuries, the press presumptively identified as “hex marks.”

Only 6 years after the Rehmeyer case, however, another murder with an undeniable connection to withcraft belief occurred in the vicinity of Pottsville (the same region as that of our Hex Cat case in Episode 69).  This was the murder on March 17, 1934 of Susan Mummey by Albert Shinsky.  Mummey was a local Braucherin, known by locals as “Old Susie,” or sometimes “The Witch of Ringtown Valley,” who had a cantankerous reputation with her neighbors.  At the age of 17, Shinksy experienced one such unpleasant encounter, which he came to regard as the origin of a seven-year curse placed upon him by Mummey — one that could only be resolved ultimately by slaying the witch with a magic bullet.  We’ll leave the lurid details of this case for you to experience as you listen, but suffice it to say, the region still seems to have had problems with Hex Cats in 1934.

Philadelphia Inquirer
From The Philadelphia Inquirer, 24 Mar 1934

Our show closes with a look at the Rehmeyer case explored in different media.  A highly fictionalized version of the story was produced in 1987 under the name Apprentice to Murder, this one featuring Donald Sutherland as a notably more bookish John Blymire type.  There’s also a good 2015 documentary, Hex Hollow, which features interviews with Blymire and Rehmeyer’s descendants.  Strangest of all is the manner in which this story seems to have influenced the musical psychedelia of the York County band Lenny Lionstar and The Hillbillies of The Universe.  We close with a snippet of their work.

Bees: Gods, Death, and Honey

Bees: Gods, Death, and Honey

The mythology of bees has been tied for centuries to notions of the otherworld and death.  In this episode we trace some of that folklore along with examining some highly peculiar uses of honey.

Horror or sci-fi films referencing bees exploit the more mundane fears bee holds for mankind.  Our survey of these includes clips from the dreadful 2006 The Wicker Man remake, Candyman (1992), The Deadly Bees (1967), The Swarm (1978), and Invasion of the Bee Girls (1973). Also included are some snippets of “Not the Bees” remixes by Koolfox, CyberPunkStefan, and KCACopyright.

The Deadly Bees (1967)

Continuing on (in a sense) from our Medusa episode, there follows a good deal of Greek mythology, thanks to the significant role these creatures played in that culture’s imagination, beginning with the bee-nymphs or honey-nymphs who served as nurses to the infant Zeus.  There are a number of triads of female bee creatures in ancient Greek literature, which may or may not be the same.  Along with Zeus’ nurses, these include the Thriae, who serve as oracles, and creatures simply dubbed “The Bee Maidens” described in a Homeric “Hymn to Hermes” (who also serve as seers.)  Priestesses of Artemis and Demeter were also dubbed”bee,” and some have proposed a connection between the Delphic oracle and bees or honey, as is discussed.

Thriai
Possible representation of the Thriai, Rhodes, 7th century BC.d

A brief musical interlude follows this: “The Bee Song” by British comedian Arthur Askey.

Our next topic seems to be most prominent in ancient Greek thought but was found elsewhere and persisted into the Middle Ages, namely, the belief that bees were spontaneously generated from the carcasses of oxen.  This superstition, known as “bugonia”  (from the Greek words for “ox” and “spawn”) is discussed in passages we hear from Virgil’s volume on agricultural lore, Georgica, and from a similar 10th century book of Byzantine creation, Geoponika.  We also hear an example from the Old Testament and learn a a related and unseemly lesson about a honey-like product found in many British households. And there’s a poem by Kipling, “The Flies and the Bees” from which Mrs. Karswell reads a relevant excerpt.

Human corpses (if they happen to be a priestess of Demeter) can also generate bees, according to a passage from Virgil’s Aeneid, which we hear. And there is a story of a skull filled with honeycomb from Herodotus’ Persian Wars, one somehow similar to a report from an 1832 edition of the Belfast News Letter, which is gratuitously included merely for the grotesque image it presents.

Next we look at the ancient practice of preserving human bodies in honey.  The case of Alexander the Great is described along with a number of examples from Sparta (including a honey-preserved head, which advised King Cleomenes I.  And there’s a particularly repulsive story of Mariamne, the wife of  King Herod, who was thus preserved.

We then examine more wholesome stories of bees —  their exemplary reputation for cooperation and industry, which served many writers as a model for human society.  Also wholesome are a few inlcuded Christian legends involving bees. We hear of 5th century French prelate St. Medard, whose bees punished the thief attempting to steal a hive from the saint’s apiary, and of the 6th-century Irish saint St. Gobnait, who commanded an army of bees against hostile forces threatening her community.  Also included are some pious legends of architecturally ingenious bees related in Charles Butler’s The Feminine Monarchie from 1632.

The Feminine Monarchie
The Feminine Monarchie by Charles Butler

Next, the “telling of the bees” is discussed, that is, a custom whereby those who kept hives would announce the death of a family members to their bees so they might participate symbolically in the mourning process.  Also included are a number of newspaper stories of bees that seemed more than eager to participate in funerals.

We wrap up with a look at “mad honey,” a psychoactive type of honey, the effects of which are produced by a compounds called grayanotoxin found in certain plants (the rhododendron, azalea and oleander) from which bees have gathered nectar.  Caveat emptor!