Tag: King Herod

Christmas Devils and the Feast of Fools

Christmas Devils and the Feast of Fools

From St. Nicholas Day through Christmas, the Devil figured prominently in medieval plays, embodying a subversive seasonal element also celebrated in the Feast of Fools.

We enter the topic of medieval Christmas plays sideways through German composer Carl Orff’s 1935 composition “O Fortuna,” a piece much beloved in Hollywood soundtracks.  The lyric Orff set to music happens to belongs to one of 24 11th-century poems preserved in a Benedictine monastery in the Bavarian town of Beuren, providing the collection with its name, Carmina Burana, a Latinized version of “Songs from Beuren.”

After a brief look at some of the rude and blasphemous poems, for which the collection is notorious, we switch to its poem on the Nativity, a much less scandalous composition which formed the basis of one of Europe’s first Christmas plays.  We focus on the prominent role given Satan and his demons in that text as well as the comic portrayal of the Antichrist in Ludus de Antichrist, “Play of Antichrist,” preserved in a collection from a nearby monastery in Tegnersee.

From there we switch over to medieval portrayals of another sort of Antichrist, namely King Herod, whose role in the Christmas story is to order the execution of all infant males in his kingdom, hoping thereby to exterminate a potential rival, the “King of the Jews,” rumored to have been born in his kingdom.  We discuss some fantastically grisly portrayals of this event from the medieval stage.

We next have a look at some of the stagecraft employed in portraying the Devil and his minions, discussing the fabrication of “Hellmouths,” a set element, which swallowed sinners and vomited up devils on the medieval stage.  Alongside this, we examine costumes and pyrotechnics used to enhance the theatricality of demons and their realm.

From there, we turn to another subversive, sometimes violent, undercurrent in holiday celebrations, namely that of the Boy Bishop. Beginning around the 10th century, the title was given to a youth elected to lead mass either on the Feast Day of St. Nicholas or on December 28, the Feast of the Holy Innocents.  On the surface, the tradition may sound innocently charming enough, but as we learn from quite a few contemporaneous accounts of mayhem and violence involved in the festivities, this inversion of the hierarchies could quickly lead into Lord of the Flies territory.

boy bishop
16th-century depiction of the Boy Bishop tradition from Bamburg, Germany

Related to the Boy Bishop tradition, is our next topic, the Feast of Fools.  While many listeners will be familiar will be with the carnivalesque street parades, and election of a mock King, Bishop, or Pope of Fools, these chaotic elements were not limited to the secular world.  Indeed, the festum fatuorum began within the church itself, consisting of a number of days in which lower clergy assumed roles usually belonging to those above them in the hiearchy (priests for bishops, etc.).

The “Feast” actually constituted of a number of different days during the Christmas season during which such inversions took place, a period sometimes extending all the way to January 14, on which the “Feast of the Ass” took place, a celebration honoring the animal which bore the Blessed Virgin to Bethlehem, and one involving the congregation in a litany of “hee-hawing.”  Mrs. Karswell reads for us a number of historical accounts detailing the mayhem involved in these celebrations.

We close with a nod to the most the most famous literary reference to the Feast of Fools, one which novelist Victor Hugo imagined in his 1831 novel The Hunchback of  Notre Dame, and in which the titular character is crowned “King of Fools,” (or “pope” in the original French.)

NOTE: This episode is adapted from the chapter “The Church Breeds a Monster” from Mr. Ridenour’s book, The Krampus and the Old, Dark Christmas.

“Feast of Fools” by Frans Floris, mid-1700s.

 

 

 

Bees: Gods, Death, and Honey

Bees: Gods, Death, and Honey

The mythology of bees has been tied for centuries to notions of the otherworld and death.  In this episode we trace some of that folklore along with examining some highly peculiar uses of honey.

Horror or sci-fi films referencing bees exploit the more mundane fears bee holds for mankind.  Our survey of these includes clips from the dreadful 2006 The Wicker Man remake, Candyman (1992), The Deadly Bees (1967), The Swarm (1978), and Invasion of the Bee Girls (1973). Also included are some snippets of “Not the Bees” remixes by Koolfox, CyberPunkStefan, and KCACopyright.

The Deadly Bees (1967)

Continuing on (in a sense) from our Medusa episode, there follows a good deal of Greek mythology, thanks to the significant role these creatures played in that culture’s imagination, beginning with the bee-nymphs or honey-nymphs who served as nurses to the infant Zeus.  There are a number of triads of female bee creatures in ancient Greek literature, which may or may not be the same.  Along with Zeus’ nurses, these include the Thriae, who serve as oracles, and creatures simply dubbed “The Bee Maidens” described in a Homeric “Hymn to Hermes” (who also serve as seers.)  Priestesses of Artemis and Demeter were also dubbed”bee,” and some have proposed a connection between the Delphic oracle and bees or honey, as is discussed.

Thriai
Possible representation of the Thriai, Rhodes, 7th century BC.d

A brief musical interlude follows this: “The Bee Song” by British comedian Arthur Askey.

Our next topic seems to be most prominent in ancient Greek thought but was found elsewhere and persisted into the Middle Ages, namely, the belief that bees were spontaneously generated from the carcasses of oxen.  This superstition, known as “bugonia”  (from the Greek words for “ox” and “spawn”) is discussed in passages we hear from Virgil’s volume on agricultural lore, Georgica, and from a similar 10th century book of Byzantine creation, Geoponika.  We also hear an example from the Old Testament and learn a a related and unseemly lesson about a honey-like product found in many British households. And there’s a poem by Kipling, “The Flies and the Bees” from which Mrs. Karswell reads a relevant excerpt.

Human corpses (if they happen to be a priestess of Demeter) can also generate bees, according to a passage from Virgil’s Aeneid, which we hear. And there is a story of a skull filled with honeycomb from Herodotus’ Persian Wars, one somehow similar to a report from an 1832 edition of the Belfast News Letter, which is gratuitously included merely for the grotesque image it presents.

Next we look at the ancient practice of preserving human bodies in honey.  The case of Alexander the Great is described along with a number of examples from Sparta (including a honey-preserved head, which advised King Cleomenes I.  And there’s a particularly repulsive story of Mariamne, the wife of  King Herod, who was thus preserved.

We then examine more wholesome stories of bees —  their exemplary reputation for cooperation and industry, which served many writers as a model for human society.  Also wholesome are a few inlcuded Christian legends involving bees. We hear of 5th century French prelate St. Medard, whose bees punished the thief attempting to steal a hive from the saint’s apiary, and of the 6th-century Irish saint St. Gobnait, who commanded an army of bees against hostile forces threatening her community.  Also included are some pious legends of architecturally ingenious bees related in Charles Butler’s The Feminine Monarchie from 1632.

The Feminine Monarchie
The Feminine Monarchie by Charles Butler

Next, the “telling of the bees” is discussed, that is, a custom whereby those who kept hives would announce the death of a family members to their bees so they might participate symbolically in the mourning process.  Also included are a number of newspaper stories of bees that seemed more than eager to participate in funerals.

We wrap up with a look at “mad honey,” a psychoactive type of honey, the effects of which are produced by a compounds called grayanotoxin found in certain plants (the rhododendron, azalea and oleander) from which bees have gathered nectar.  Caveat emptor!