Category: sex

Hellfire Clubs, Part One

Hellfire Clubs, Part One

The Hellfire Clubs of 18th-century Great Britain were gatherings of upper-class libertines dedicated to hedonism, blasphemous jests and taboo activities expressing a cultural and political opposition to the Church. They were also the subject of lurid rumor and legend.  In this episode and the next we attempt to tease out Hellfire Club fact from folklore.

We begin with a nod to the Hellfire Club of pop culture: a clip or two from a 1966 episode of the British espionage show, The Avengers,  which imagines a Hellfire Club recreated in swinging London.

As a bit of context to the discussion, we then consider 18th-century Britain’s mania for forming clubs and fraternal orders, including London’s Kit-Cat Club, Beefsteak Clubs, and the Calf’s Head Club, the last celebrating the execution of Charles I with stunts and feasts organized around a calf head representing that of beheaded monarch. We also take a moment to consider the “rake,”  (from the word “rakehell”) a distinctively 18th-century breed of aristocratic hell-raiser dedicating himself to womanizing, drinking, and gambling.  Hellfire Club members were drawn almost exclusively from this class.

Broadsheet representing London Hellfire Club ca 1721
Broadsheet representing London Hellfire Club ca 1721

History’s first Hellfire Club was founded sometime around 1720 by Philip Wharton, 1st Duke of Wharton.  His case seems to be one of the apple not falling far from the tree, as we hear of some outrageous incidents of church vandalism  in which is father, Tom Wharton, engaged.

While father and son shared anticlerical sentiments, young Philip’s rebellion against parental expectations allied him with the very Jacobites battled by his father, and resulted in a secret engagement to young girl beneath his class, as well as a stunt involving a bear cub.

Wharton’s connection to the Hellfire Club, (like what we know of the club itself) is extrapolated from rumors circulating in the popular press of the day.  We hear some examples of this, claims about “Holy Ghost Pie” blasphemy at taverns,  members serving diplomatic functions in hell, and the like.

However much the press tended to fictionalized the group, it was real enough to have drawn the ire of George I, who issued  an edict in 1721 against the formation and meeting of clubs dedicated to blasphemy.  Public opinion so strongly associated Wharton with such groups, that when the edict cae before the House of Lords (where he also served), he found it necessary to address the rumors, denying that they could apply to him, but at the same time voting against the measure.

Little mention was made of the Hellfire Club after this, and it seems Wharton redirected his interest to Freemasonry going on to become to Grand Master of the Premier Grand Lodge of England.  However, his obstreperous nature soon saw him booted from this organization. Thus inspired, he went on to found another order, the Gorgomons, one which instead of mocking the Church, ridiculed Freemasonry.  We hear a bit about that group from the text of organization a comical pamphlet illustrated by William Hogarth.

Dublin also was home to a Hellfire Club, founded in 1735 by Richard Parsons, 1st Earl of Rosse, an English-born member of the gentry of Ireland.  More specifics are known in the case of this club, including core members (rakes all!) who are represented in a 1735 painting of the group meeting around a punch bowl.  The presumptive location of this scene would be The Eagle Tavern on Dublin’s Cork Hill, and the drink likely scaltheen, a milk-punch strongly associated with the club.

Dublin site
Montpelier lodge believed to have been used by Dublin club. Photo: Joe King

Because Parsons owned an old hunting lodge on Montpelier, a mountain on the outskirts of the city, it’s also commonly presumed the group gathered there.  While there’s no contemporary documentation confirming this, the romantic nature of the site all but demanded it be incorporated into the folklore. The building was in a state of partial ruin even in Parson’s day, and was constructed from stone quarried from an ancient pagan burial cairn on the hill.

We hear a few of the legends associated with Hellfire gatherings of Montpelier, including a longer tale of a devilish black cat related by Mrs. Karswell from the 1907 book, Sketches of Old Dublin.

The end of this Irish Hellfire Club seems to have had much to do with the vile reputation of a particular member, Henry Barry, 4th Baron of Santry.  We hear of the homicide charges leveled against him as well as of another murderous incident, which may be the stuff of legend.

We also hear of a sort of spiritual resurrection of Dublin’s club in 1771 under the ironic name, “The Holy Fathers.”  Despite the dark rumors swirling around this group, its founder, Buck Whaley was a popular character thanks to his larger-than-life adventures. We hear some tales of his extraordinary wagers and of the foolhardy journey that earned him the nickname, “Jerusalem Whaley.”

Though it’s not another Hellfire Club, we make a brief side trip to discuss, The Beggar’s Benison, an equally scandalous club —  and not just by 18th century standards.

Founded in 1732 in the Scottish town of Anstruther on the Firth of Forth, the Beggar’s Benison was a men’s fraternity obsessively devoted to sex, the sharing of erotic art and literature, dirty songs and toasts, and the presentation of frank lectures on sexual topics.  We hear the tale told of is legendary founding by a particularly rakish version of James V,  of the club’s rather shocking initiation rites, and of of the membership’s peculiar obsession with pubic hair.

We close with two tales detailing the ends of Philip Wharton of London’s Hellfire Club and Richard Parsons of Dublin — one tragic and the other comic.

Dublin Hellfire Club, James Worsdale, 1735

 


NOTE: Details on our Patreon raffle for the 15-disc set, All The Haunts Be Ours: A Compendium Of Folk Horror, are available at this link: https://www.boneandsickle.com/2022/03/30/patreon-raffle/


 

#27 Lilith and the Breeding of Demons

#27 Lilith and the Breeding of Demons

Our episode continues from our last with more terrors of the night, the incubi, sucubi, and the most notorious succubus, Lilith — and the breeding of demons

"Burney Relief" formerly thought to represent Lilith.
“Burney Relief” formerly thought to represent Lilith.

We begin with a quick nod to the shoddy treatment the topic of the incubus has received in films, as represented by the 1981 misfire, Incubus.  From there, we jump to the Middle Ages, clarifying with a quick quote from Claxton’s Chronicle, the role of the succubus as seducer of men, and the incubus as threat to females.  A few words from St. Augustine make clear a connection with other pagan figures with lecherous reputations, and a quote from King Jame’s Daemonologie offers a more innovative notion that the incubus and succubus are two faces of the same demon.  Each fulfills what Augustine sees as the purpose of the paired demons — the succubus to collect the male’s semen and the incubus to convey this to the human female.

The offspring of these demonic/human pairings (with infants nursed by the succubi) are called “cambions” by the demonic-obsessed imagination clerics, but in secular folklore are virtually “changelings.”  We hear of some legendary cambions, including Merlin, the hero Hagen of the Völsung saga, and Alexander the Great (the last in a tale related by Wilkinson).

Amulet protecting infants from Lilith.
Amulet protecting infants from Lilith.

There follows another nod to the cinema’s sleazy representation of the succubi and Lilith (films linked below).  From there, we make a brief survey of Lilith in high culture, in Michelangelo’s “Temptation” mural depicting her in the Garden of Eden on the ceiling of the Sistine Chapel, her brief appearance at the Walpurgisnacht scene in Goethe’s Faust, and the outrageous portrayal of Lilith and Satan in the “un-performable” Decadent play of 1891, Lilith, by Remy de Gourmont.

Michelangelo's "Temptation" with Lilith as Serpent
Michelangelo’s “Temptation” with Lilith as Serpent

Our look at the more ancient history of the figure begins with an Old Testament reference to Lilith as a denizen of an enemy kingdom reduced to a haunted desert wasteland by Yahweh in the book of Isaiah.  The Hebrews, we learn, borrowed the figure of the child-snatching, murderous, Lilith from the Babylonians/Akkadian storm and wind spirits known as the lilitu.  An individualized and somewhat elevated specimen of this class seems to be the demi-goddess Lamashtu, whom we hear fearfully described in Wilkinson’s reading of an ancient hymn to this destroyer who shares many traits with the Hebrew Lilith.  We also learn of a Lamashtu’s second-hand connection to the 1973 film The Exorcist.

After a quick look at Lilith’s later appearance in the Dead Sea Scrolls, we medieval Jewish legends. including The Alphabet of Ben Sirach, which first cast Lilith as Adam’s first wife, the Midrash Abkir, which described Lilith’s rape of Adam and their breeding of demons, and finally references to Lilith’s marriage to the demonic archangel Samael, in The Zohar and Treatise on the Left Emanation, a powerful pairing sometimes referred to darkly as “the other god.”  We also find out about other legends with placed Lilith in a harem of wives belonging to Samael, including the demonesses Agrat bat Mahlat and Isheth Zenunim.  Wilkinson provides us with a final, dramatic narrative  from The Zohar describing the seduction and damnation of a foolish man at the hands of Lilith.

The show closes with an examination of the 1966 film, Incubus, starring William Shatner (before he was Captain Kirk). We learn about the curious decision to shoot the film in the artificial language of Esperanto and the alleged “curse” that haunted the production.

Clips from films used in the episode but not mentioned above include: Serpent’s Lair, Succubus: Hell Bent, But Deliver Us from Evil, Lilith, Lilith’s Awakening, Evil Angel, and The Chosen.