Category: astronomy

Electric Fairy Rings and the Slime from Space

Electric Fairy Rings and the Slime from Space

The folklore of fairy rings and “star jelly” is strangely connected to celestial phenomena, including lightning and shooting stars.

We begin with a description of a folkloric fairy ring and its dancing population from John Aubrey’s 1690 book Natural History of Wiltshire, following this with a few other folkloric takes on the topic.

The botanical phenomena of fairy rings is then described that is, circular configurations of mushrooms sprouting overnight or ringlike markings of grass in fields.

Mushrooms in early fairy ring formation.

The pseudo-scientific 19th-century notion that these rings were caused by lightning strikes as espoused by Sir Walter Scott and Erasmus Darwin is then discussed with a modern parallel connecting this with flying saucer lore provided by Jacques Vallée’s  1969 book Passport to Magonia.

A more ancient connection between lightning and the fruition of mushrooms is then discussed with examples of this belief provided by the Roman naturalist Pliny the Elder and poet Juvenal.

A connection between lightning and the production of a strange slime occurs in a contemporary pamphlet recounting the terrors of  1638’s Great Thunderstorm of Dartmoor England.  Mrs. Karswell reads for us this lurid account believed to be the first description of ball lightning.

Rather than ball lightning, however, most accounts of heaven-sent “fireballs” from the early modern and modern era are believed to describe meteors, understood at the time as “falling” or “shooting stars.”

Folklore connects falling stars with the deposit upon the earth of a sort of slime or gelatinous substance known most commonly as “star jelly,” but a dozen or so other names from European folklore are also provided, with the sinister-sounding Welsh term “pwdre ser,” meaning, “rot from the stars” also being fairly common in more modern literature.

Some literary references to this belief are also provided, most of which contrast the beauty or hopeful wishes associated with a falling star and the loathsome heap of jelly it becomes on landing.

A few more modern theories attempting to provide a more scientific account are then provided. Most commonly these include star jelly as frogspawn, jelly fungi, or nostoc, a a single-celled organism that forms into filaments and these into colonies that look like gelatinous piles of dark green (and putrefying) grapes.

The traditional application of nostoc as a  food source and medicine are also discussed, as the source of its name in the writings of the 16th-century Swiss natural philosopher and physician Paracelscus who regarded it as something blown “blown from the nostrils of some rheumatick planet.”

Thanks to its seemingly supernatural appearance with the nocturnal dew, the alchemists assigned an elevated role to nostoc, calling it “the water of the equinoxes.”  Some illustrations of alchemists attempting to collect nostoc and touting its qualities are provided from the enigmatic Mutus Liber or “Mute Book” of 17th century France, as well as in the work of the modern alchemist Fulcanelli from his 1926 book The Mystery of the Cathedrals.  The mystery of the identity of this writer calling himself “Fulcanelli” as well as the claims of his student Eugène Canseliet, who supposedly transmuted lead into gold in 1922 are touched upon.

Charles Fort’s “Book of the Damned”

We then have a look at nostoc through the writings of Charles Fort, whose 1919 volume, The Book of the Damned, provided inspiration for all future writings on scientific anomalies, the paranormal, and (to some extent science fiction.)  Fort’s arguments about the identification of nostoc with star jelly are illustrated in his discussion of “the Amherst object,” a particularly weird lump of something-or-other said to have fallen in a field near Amherst, Massachusetts in 1819.  We also hear a sampling of his eccentric prose echoing his facetiously posited theory of the “Super Sargasso Sea,” an inter-dimensional repository responsible for occasionally teleporting things (or people) in and out of our world.

A few more choice cases of meteors associated with mysterious gelatinous substances are discussed.

We conclude with a look at the inspiration for the 1958 film The Blob, in which a meteor crashes to earth releasing the titular menace upon a small Pennsylvania town. One possible inspiration is Joseph Payne Brennan’s novella, “Slime” published in Weird Tales in 1953, five years before the film’s release.  However  there are substantial differences between the storylines, which are discussed.

More interesting (in light of our topic) is the notion that the film was inspired by true events, namely an incident documented in newspaper reports of September 26, 1950, describing something bizarre encountered by Philadelphia police  during their patrol.  It doesn’t seem likely this story played a big role in inspiring the film, and while the newspaper account attempts to categorize the phenomenon as a particularly weird sort of “flying saucer” (saucers being particularly trendy at the time), eyewitnesses describe the object as something more akin to the fairy world.  Mrs. Karswell reads the entire newspaper account.

 

Friends from Venus, Theosophists in Space

Friends from Venus, Theosophists in Space

The esoteric teachings of Theosophy, particularly those regarding Venus, were surprisingly influential on the tales told by flying saucer Contactees of the 1950s and ’60s.

We begin with a quick review of Theosophy and its principles as defined by the Russian international adventurer Helena Blavatsky in the later decades of the 19th century. Blavatsky had worked as a spirit medium and transformed Spiritualism’s spirit guides, into what Theosophy calls its Masters of Ancient Wisdom, advanced adepts from the East secreting themselves primarily in the mountains of Tibet — beings after which the spiritually evolved “Space People” of the Contactees were patterned.  Theosophy’s myths of previous technologically advanced but morally or spiritually flawed civilizations like those of Atlantis or Lemuria also also offered a framework for Contactees who believed mankind faced a similar dilemma under the Cold War threat of annihilation.

Venus was regarded as the most significant and spiritually advanced of the planets by the Theosophists. In its guise as the “morning star,” it became a symbol of esoteric illumination and the dawning of a new illuminated era.  It also played a significant role in Theosophy’s spiritual hierarchy as a home to advanced beings including the figure of Sanat Kumara, a Master advanced to the level of deity.  Unsurprisingly, Venus was also the home-planet to the majority of Space People encountered by the Contactees.

Key players in the Contactee movement coincidentally all shared a first name: George Adamski, George van Tassel, George Hunt Williamson, and George King, the only Brit among the Americans, and the primary subject of this episode.

Before discussing King and his experiences, we take a brief side-trip to discuss another, slightly later Contactee, who provided a bit of audio used in our opening montage, a clip from a 1957 record he sold at his saucer talks called Authentic Music from Another Planet. Along with his bizarre recording of musical scores he claims to have received telepathically on Saturn, Menger is of interest for his marriage to a woman from Venus, or at least the alleged reincarnation of a past-life lover from Venus.

Menger’s book featuring the Venusian, Marla.

George King, a taxi driver from London, arrived upon the scene a few years later than our other Georges, but his teachings hew closest to Theosophical doctrines.  Some of this, no doubt, is due to the influence of his mother, who was known locally as a healer and clairvoyant.  We hear some clips from a May 21, 1959 episode of the BBC show “Lifeline,” in which he demonstrates his technique of channeling extraterrestrial intelligences, including that of a Master from Venus named Aetherius, whose name is represented in the organization King founded in 1959, The Aetherius Society.

In the interview King also discusses another extraterrestrial who came to him in the early days of his career as a Contactee for the purposes of teaching him the channeling techniques he would need.  In keeping with Theosophical bias, the earth body this teacher had taken is that of sage from India.

King also discusses his relationship with the “Master Jesus” (another resident of Venus) and a meeting between his mother and Jesus on a spacecraft, during which Jesus blessed King’s book, The Twelve Blessings, a foundational text of the Aetherius Society.

George King wearing his transmission goggles. (via Aetherius Society)
Channeled messages to date in 1975. (via The Pantagraph)

Another Theosophical principle King seems to have embraced is Blavatsky’s notion of a “higher science” using technology  to manipulate subtle, spiritual energies (something present in her descriptions of Atlantis and Lemuria).  In King’s case, this concept lies behind his invention of “prayer batteries” used to capture and then deploy where needed the spiritual energies emitted during group prayers conducted by the Society.

King also takes the Theosophical myth of Atlantis and goes it one better.  Rather than a continent being destroyed through human evil, a whole planet by the name of Maldek, he says, was destroyed in a similar manner eons before man was present on earth. The actual asteroid belt between Mars and Jupiter he regards as Maldek’s ruined remains.

We close with some considerations regarding the Pentagon’s release of reports of “unexplained aerial phenomena” this spring.  Included is a clip from the 1960 song “When You See Those Flying Saucers”  by The Buchanan Brothers.